The Portuguese capital of Lisbon may boast a jealous calendar of cultural occasions that routinely attract attention from around the globe, however a particular highlight at the moment may be the Worldwide Festival of Puppets and Animated Forms (FIMFA), that’s being staged across the 19th occasion this month.
This Year’s festival is running from ninth to 26th May, showcasing the very best in puppet theatre and animation from nine Europe, along with the u . s . states . States, Iran and Mozambique.
Which shows are recording imaginations around this year’s festival?
Gracing the town within the 18 occasions in the festival are types of marionettes, not the same as giant papier-mache creations to shadow puppets. Artists from 22 theatre companies around the globe are showing works according to kinds of identity and freedom.
One of the standout productions this season are My Shadow and Me, inside the UK’s Came Colby. Referred to as “a cartoon produced live”, it draws upon the conventional art of hands-attracted shadows to inform tales about conferences between different figures. The piece is inspired by Robert Louis Stevenson’s poem My Shadow, and concentrates on the party theme of how we communicate with our shadows.
Meanwhile, Livsmedlet Theatre from Finland is showing a mixture between puppetry and choreography by means of Invisible Lands, described within the five-star Protector reviewas “the storyplot of refugees, symbolized by small figures, such as the population in the model railway, delicate and vulnerable since they flee their war-ravaged home.”
Then, there’s a large Puppets of Mozambique, that are giving the festival an outdoors dimension employing their show O Bazar e as suas… (The Bazaar that is…), a street show comprised of enormous papier-mache figures and percussion. The big event also represents a cultural celebration of Mozambique, without shying from such issues affecting the nation as corruption and social inequalities.
“A theatre that needs the active participation within the spectator”
FIMFA director Luis Vieira commented: “Puppet theatre is certainly an very particular theatre. Rather in the theatre of actors, it is a theatre that needs the active participation within the spectator.
“Puppeteers do not have to do much – they need to result in the magic of illusion, they need to result in the feeling that something can happen. The remainder is carried out using the public. It is the audience that builds the show.”
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